Museum

Andrew Nicholls & Travis Kelleher, Untitled Study, 2013, framed photographic print, 180 x 120cm. Image c/o the artists with thanks to the Freud Museum London..jpg

This page presents the work of the students registered for the summer session of the Museum on the Couch, 2021 workshop-seminar

This semester's programme is a little different from the previous sessions, since instead of exploring the usual ethnographic or colonial collections, it is now a question of discovering the city, particularly Cologne, from the angle of its colonial history, from the museum to the colonial shop...

Backed by the Institute of Ethnology of the University of Cologne and in partnership with the RJM, the students - who come from various courses of study (Ethnology, Medienwissenschaften, Medienkultuirwissenschaften, theatre or plastic arts in certain years) - were invited to reveal an aspect of the colonial history of the city, in this case mainly from Cologne where the museum and institute are based, but also from the surrounding cities, from Wuppertal to Santiago de Chile. ...according to the home cities of this year's participants, from significant urban locations. This semester, the "Museum on the Couch" seminar-workshop will therefore focus on the way in which colonial history is inscribed in public urban space (statues, street names, factories, shops, etc.), outside the walls of the museum.

This approach is based on a research-creation methodology that uses anthopology as a tool for creative exploration: after having freely chosen a subject inspired by a place in the city that echoes its colonial past, and linked as far as possible to the RJM's collections, the students are invited, alone or in groups, to design an action that takes place in the public space: wandering, performance, guided tour, "invisible theatre" or any form of "heuristic disturbance" highlighting the principles that govern the political order of public space in democracy today.

These works are therefore the results of this research. They were accompanied by anthropologist Bernard Müller and performance artist Juan Gomez to help students immerse themselves in the world of the street.

They are asking for your feedback and comments. A space is reserved for this purpose at the bottom of the page

Dr. Bernard Müller

Bernard Müller has been running the Museum on the Couch since 2016. As a general principle, the teaching offered combines anthropological reflection with a creative approach.The sessions of this workshop-seminar – which usually take place in the so-called ethnographic museum – had to be organised this year either online or outside, in the city, from places linked to colonial history that the students will have identified in their immediate environment, without always realising beforehand that this place had a relationship with this complex and controversial chapter of world history.The aim is to implement a mode of research in anthropology that emerges from an artistic approach, and in particular from formats produced by performance, whether literary, poetic, theatrical, scenographic or visual/plastic. The dynamics are dictated by the need to appropriate the global inscription of local history, in this case that of Cologne and the large cities of NRW. In the first phase of the research, in April 2021, the students were encouraged to explore their immediate environment, their neighbourhood, in order to identify places that were in some way related to European colonial history, and to understand how these spaces were also inscribed in their daily lives, on the road, in their bodies. This awareness on the part of each student is envisaged as a methodological lever that should help anchor anthropological research on the current colonial question in a lived moment, in an experience in which theoretical questioning is inscribed in order to subjectivise the students’ relationship to history. The objective is to allow students to produce their own heuristic situation, their own ethnographic description.

„Museum on the Couch":

Reflexive und kreative Erkundungen in den ethnographischen Sammlungen

Bernard Müller in Kooperation mit Nanette Snoep (Direktorin des RJM)

Das Seminar findet voraussichtlich 14tägig (jeweils 4 SWS) statt. Beginn Do 15. April 2021 um 15 Uhr via ZOOM

Dieses Modul ist als Workshop entworfen. Es gibt Studierenden die Gelegenheit mittels praktischer Übungen auf experimentelle Weise das Museum zu entdecken und mitzugestalten. In den Räumen des RJM sind die TeilnehmerInnen des Kurses eingeladen, ihr eigenes museographisches Display zu kreieren: Installationen, Touren (innerhalb und außerhalb der Mauern) oder jegliche Art der Performanz. Die Herangehensweise erfolgt interdisziplinär und gemeinschaftlich.
Präsentiert werden die studentischen Arbeiten dem Publikum am Ende des Semesters. Die besten Arbeiten verbleiben ca. 1 Monat in der Dauerausstellung.

(Installation, Performance oder freie Intervention) in der Dauerausstellung oder anderen Raum des RJM, allein oder in einer kleinen Gruppe und “Making of” / schriftlicher Bericht.

Teilnehmer*innen:

 

Der Kurs richtet sich an BA und MA Studierende der Ethnologie, der Theaterwissenschaften, der plastischen, graphischen und medialen Künste und jeder anderen Fachrichtung. Studierende sollten Spaß an kreativer und selbständiger Projektarbeit haben.

Assessment:

Entwurf und Durchführung eines Projekts, das eine Problematik des Ethnographischen Museums reflektiert (Installation, Performance oder freie Intervention) in der Dauerausstellung oder anderen Raum des RJM, allein oder in einer kleinen Gruppe und "Making of" / schriftlicher Bericht.

Termine:

Donnerstag 15-18 14tägig, virtuell ggf. Teilpräsenz (Pandemie-abhängig) 26 Stunden / Semester / Semesterwochenstunden: 4

Ort:

 vorerst bis auf weiteres: virtueller Ort der Telekonferenz. Sollte sich die Lage ändern: Rautenstrauch-Joest-Museum (RJM) – Kulturen der Welt | Cultures of the World Leonhard-Tietz-Straße 10 50676 Köln

NICHT NUR KUNST

Decolonising the city means shedding light on how urban space works, and how this past continues to live on through monuments, street names or shops and still acts on us, 

reproducing patterns of thought and representations of the world, sometimes even without our knowledge…

Aktionen

Projekte

Le Procès

Who holds the strings?

 Iltisstraße zur historischen Kontinuität von anti-asiatischem Rassismus

Völkerschau

Farbe des Blutes?

Make the invisible visible

Blutiger Tee

Reicht das wirklich?

Wem gehören die Staßen ?

Überblick

This approach is based on a research-creation methodology that uses anthopology as a tool for creative exploration: after having freely chosen a subject inspired by a place in the city that echoes its colonial past, and linked as far as possible to the RJM’s collections, the students are invited, alone or in groups, to design an action that takes place in the public space: wandering, performance, guided tour, “invisible theatre” or any form of “heuristic disturbance” highlighting the principles that govern the political order of public space in democracy today.

Filmauschnitt

Dieser Trailer ist aus den verschiedenen klein Filmen zusammen geschnitten worden. Damit man eine Idee bekommt, was Sie bei den Projekten erwarten können.

Play Video

Aktivsten*innen

Studenten*innen, die aktiv an Museum on the Couch teilgenommen haben

Katharina Kohler

Helena Daniel

Julia Rongen

Trang Nguyen & Xuan Nguyen

Luzia Heinzelmann

Naomi Salbert

Shera Potka

Polina Pashkova

An Pham

Iman El Jaroudi

Sara Larbi-Niazy

Projekte

Farbe des Blutes ?

Play Video

Make the invisible visible

Who holds the strings?

The Mirroring of the Völkerschauen

Le Procès

Iltisstraße zur historischen Kontinuität von anti-asiatischem Rassismus

Bloody Tea

Reicht das wirklich?

Wem gehören die Straßen ?

Danke für Ihre Aufmerksamkeit

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